After Auden
After Auden
by Jenny Mitchell
About suffering they were never wrong,
the slave masters: how hard they whipped
until the humans, trapped, were made to kneel;
how it all takes place hidden in the Caribbean
whilst Great Britain – rolling hills, dappled fields
placed in front of dread machines – calls itself enlightened,
the revered dead carved in stone placed in city squares
where those descended from the once-enslaved
are forced to do the service jobs, children trapped
in failing schools, piled on a heap of unemployed.
Where dogs in Parliament go on with their doggy lives,
scratching their arses with what should be a helping hand.
On Question Time, for instance, how they turn away
quite leisurely from disasters of their own making – foodbanks
emptied out. A refugee has heard the splash, forsaken cry
behind him, hardly daring to look back. As the sun sets
in blue water ambitious blacks and browns pull up the ladder.
No one sees the people falling from an island
sailing calmly on before it sinks.
Jenny Mitchell
Jenny Mitchell is currently the Inaugural Poet-in-the-Community at the British Library, working with the Engagement Team. She’s recently been nominated as Best of the Net 2025, won the Ink, Sweat and Tears May 2024 Poetry Competition, the Shooter Poetry Competition in 2023, the Gregory O’Donoghue Prize in 2022 and the Poetry Book Awards in 2021 for her second collection, Map of a Plantation. The prize-winning debut collection, Her Lost Language, is one of 44 Poetry Books for 2019 (Poetry Wales), and her latest collection, Resurrection of a Black Man, contains three prize-winning poems and is featured on the US podcast Poetry Unbound. She was Poet-in-Residence at Sussex University in 2024, and Artist in Association at Birkbeck from 2021-22.