Disturbing Blacks in Custody
Disturbing Blacks in Custody
by Jenny Mitchell
One by one, I free them from the cells,
trudging back to pick up bodies in torn clothes,
placed screaming in handcuffs, enslaved
for raving at dark clouds, black
a constant threat, beaten by new masters in blue-
bruised uniforms till every breath dies down.
They’re carried gently in my arms, hardly
any weight at all as if the spirit once disturbed –
crying out for God, arms waving in the street –
was lightened when they called for Help!
in the prison cell, or failed to breathe
that word, arm clamped across their throats.
I lay the bodies on the ground in a careful row
even when it rains so they can be baptised
before the soil becomes a shroud. We’ll pray
for those who lived close to the edge, tipped
over by their nights in jail, not helped
to stand, unbalanced by the past.
It flowed inside their blood, wrists clamped
in chains abroad slave ships, crying out
for women raped by overseers in high cane,
made to hold that pain for generations. If only
we could see ourselves reflected in each face,
know there’s no such thing as lawful death.
Jenny Mitchell
Jenny Mitchell is currently the Inaugural Poet-in-the-Community at the British Library, working with the Engagement Team. She’s recently been nominated as Best of the Net 2025, won the Ink, Sweat and Tears May 2024 Poetry Competition, the Shooter Poetry Competition in 2023, the Gregory O’Donoghue Prize in 2022 and the Poetry Book Awards in 2021 for her second collection, Map of a Plantation. The prize-winning debut collection, Her Lost Language, is one of 44 Poetry Books for 2019 (Poetry Wales), and her latest collection, Resurrection of a Black Man, contains three prize-winning poems and is featured on the US podcast Poetry Unbound. She was Poet-in-Residence at Sussex University in 2024, and Artist in Association at Birkbeck from 2021-22.